
Katia Molino
Katia Molino co-created the production of Prince Bettliegend in Sydney, Australia and played the role of Pocus/Hocus.
Gender | Female |
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Nationality | Australia |
Prince Bettliegend, based on underlying research by PtJA co-investigator Lisa Peschel, was created from the archival fragments of a performance that took place in the Terezín / Theresienstadt Ghetto in 1943.
Katia Molino has a Bachelor of Creative Arts from the School of Creative Arts, Wollongong University, where she majored in movement and theatre. She also trained in Corporeal Mime with Entr’Acte Theatre, and Suzuki Actor Training (in Japan and Australia) under the tutelage of Tadashi Suzuki.
Katia is a freelance performer who has worked with many different companies and individual artists. Some of these include;
Stalker (‘Incognita’),Marrugeku (‘Crying Baby’),Theatre Kantanka (‘Missing the Bus to David Jones’),The opera Project (‘Brief Synopsis’),Ensemble Offspring (‘Secret Noise’),Roslyn Oades (‘I’m Your Man’),NORPA (‘Railway Wonderland’), andChiara Guidi (‘Jack and the Beanstalk’).
For Campbelltown Arts Centre she made “Arboreal Pleasures”, a solo performance in response to attending the Campbelltown Bonsai Group for a year. Later, for Urban Theatre Projects she made “Inclusions”, inspired by the Bankstown and Districts Lapidary Society.
With Theatre Kantanka, she attended the Prague Quadrennial of Performance Design and Space, 2016, in the Czech Republic. Theatre Kantanka were invited to participate in “Tribes”; a perambulatory performative exhibition of their costumes from ‘Bargain Garden’ through the streets of Prague.
Katia has toured nationally and internationally. She has performed in theatres, fields, museums, underground car parks, and windswept coastlines.